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That Jason’s distant father (Frank Grillo) drives him to open up online through his concealed conversations with Rich is significant, insomuch that Grillo’s character is also the ex-cyber crimes detective taking cases on the side, Cindy and Derek’s in fact.Rich, a powerful attorney for Nina’s news corporation, always has an ear or one eye on his cell phone.
But, as stated, the style is recessive and takes a back seat to Rubin’s ensemble cast, which is uniformly excellent, particularly Bateman in a rare dramatic performance and Riceborough in one of several strong recent portrayals.The natural ways in which these three intersecting stories connect over the course of two hours enhances the larger themes in and represents a poignancy not felt in such a mosaic film outside of Robert Altman or Paul Thomas Anderson.Rubin doesn’t employ the technical whimsy of an Altman or Anderson mosaic, but his treatment of the characters is evenly dispersed and met with a staggering authenticity.Patton and Skarsgård share a number of tender scenes, whereas teen actors Ford and Bobo show incredible range.An independent production that premiered at the Toronto Film Festival in 2012, is brilliantly acted and staggeringly emotional, and it leaves you feeling guilty for every text, email, and Facebook post made after viewing.
Go into any restaurant today and you’ll find a couple sitting together, their eyes looking not at each other but directed down at the glowing screens of their smartphone, i Pad, laptop, or what-have-you. The irony of technology which is designed to bring people together yet seems to keep them at a distance is readily apparent everywhere.